Major chords or triads are created by taking a rootote, an e.B.C, and then moving a major third up, followed by a minor third (or a perfect 5th from the root). A perfect fifth is simply a major third plus a minor third on a rootote (or the 5th note in a major or minor scale). The interval of the major third is two integer steps, so if we wanted to create a C major chord, if we had do as the root, then we would go up two whole steps to our major third, mi, for our second note in the chord. From there, we can imagine adding the last note in two different ways: either by moving a small third of the mi up, or a perfect 5th of our root, the C, up. A unique feature of the minor chord is that it is the only three-note chord in which the three notes have a harmonic – audible and with a not too high row – in common (more or less precisely, depending on the chord system used). This harmonic, common to all three notes, is located 2 octaves above the high pitch of the chord. It is the sixth harmonic of the chord root, the fifth of the middle note and the fifth of the high note: in pure intonation, a minor chord is often (but not exclusively) tuned in the frequency ratio 10:12:15 (play (help·info)).  This is the first occurrence of a minor triad in the harmonic series (if on C: E–G–B).  This can be found on iii, vi, ♭vi, ♭iii and vii.  A small third is a whole step plus half a step, so if we start with C, we would go up to E flat major in the discussion of the major chords above, as opposed to mi, of course.
From there, we went up a big third to reach our final grade, G. Here are three guitar diagrams, each containing three forms of open minor triads. The root chord R 5 b3 is blue. The first inversion b3 R 5 is red and the second inversion 5 b3 R is green. In the first part of this series on chords, we start with the basics: major and minor triads. In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth.  If a chord has only these three notes, it is called a minor triad. For example, the minor triad built in C, called the triad in C minor, has the heights C-E-G♭: three days later he was in Switzerland, and a few days later he was back at the top of a small peak still difficult. Here is a simple example of using pairs of diatonic minor triads on the iim7 chord of a classic sequence 2 5 1.
An open vocal triad is constructed by moving the middle note from a closed intonation upwards to the octave. Instead of coming directly from the harmonic series, Sorge derived the minor chord from the combination of two major triads; for example, the triad in A minor is the confluence of the triads in F and C major.  A–C–E = F–A–C–E–G. With major triads rightly granted, a minor triad rightly tuned gives: 10:12:15 to 8:5. Ellis suggests that the conflict between mathematicians and physicists on the one hand and practicing musicians on the other regarding the alleged inferiority of the minor chord and the scale to the major can be explained by the comparison of only minor and major triads by physicists, in this minor case the loser comes out, compared to the comparison of triads equally tempered by musicians. In this case, Minor emerges as the winner, as the third AND Major is 14 cents from the only big third, while the minor third AND gets closer to the consonant minor third 19:16, which many find pleasant.  [full citation required] As you can see, the C major scale (like all scales) contains three types of minor chords that refer to the second, third, and sixth degrees. Only two triads are adjacent, Dm and Em, the second and third degrees. In summary, if we look at the notes that make up a triad in C major (C-E-G), compared to the notes that make up a triad in C minor (C-E major-G), we can see that it is the first third (second note in the triad) that determines whether it is major or minor.
You may also notice that the top note, G, doesn`t change. This is important to know and saves time when building agreements. Even a small fault destroys a certain part of the company`s machinery. Minor agreements are made in the same way as major agreements, except that third parties are reversed. This means that instead of moving a major third to the top of your root note (let`s stick to the C), we`d first move a small third up, and then add a major third above (or a perfect fifth above the root) to complete the chord. The triad pair system consists of playing these two triads on any diatonic chord. In this way, you highlight some chord tones, as explained below. As already explained, small triads with 3 notes are created. A root (1), a small third (b3) and a perfect fifth.
There may be open or closed vocal triads of any kind (minor, major, diminished and extended). Open vocal triads offer a great way to expand your chord vocabulary. They are very useful for composition, composition or chord melody. The following exercise shows which tones are highlighted when the twelve minor triads are played on the same bass note (C). The lower daube shows the bass note (C), while the upper daube shows the minor triads. Example with the fifth bar: If we stack a triad in E minor (E-G-B) on a bass of C, we obtain the third (mi), the fifth (G) and the eleventh (b) of C major. Before you start looking for minor triad chords, you should know that an inverted chord is a chord whose notes are arranged in a different order. .